
The album’s second single, “Money to Blow,” whirlwinds into Priceless early on, a graduation from previous tracks about his money such as “100 Million Dollars,” from 5* Stunna and “Baby You Can Do It,” from his solo self-titled debut. The cut is an energetic club banger that has continued to make a heavy buzz on the streets.
As the ears take a trip around the cash fund treasury of Priceless, they are greeted by “Money Machine,” an X-Fyle produced banknote filled with cultured drum loops and head bobbing synths, then visit a “Nightclub,” which is the most multifaceted of Priceless’ greenbacks. It is a story where Birdman tells the listener to “take a picture” when he visits the club.
“Mo Milli,” Priceless‘ most superior resource is a crafted poetic piece. Drake and Bun B make cameo appearances on the track created by Boi-1da, a producer from Canada. The song precisely emphasizes why Birdman and his clique, Cash Money Records, have swiftly dealt winning slot machine tracks over the years.
Overall, Priceless uses a tried and true recipe from a moolah cookbook. This technique has proved to be successful for the moneyologist and this album fits the bill.
Priceless receives a PARL
Plus new music from Birdman (Not featured on the album):
Birdman f/ Lil’ Kim & Nicki Minaj – Grindin’ Making Money