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[INTERVIEW] Eric Roberson: Crafted in Soul, Sharing Life Through Music

  • April 10, 2026
  • Todd Davis
Erro parle mag interview

Eric Roberson — or Erro, as fans know him — isn’t just a singer or songwriter. He’s a storyteller who’s spent over 30 years turning life into music that hits deep. From Rahway, New Jersey to stages across the country, Eric has built a legacy earned through heart, grind, and uncompromising honesty.

Beautifully All Over The Place isn’t just an album — it’s a window into his journey: love, heartbreak, faith, fatherhood, and the quiet battles most of us don’t see. Independence isn’t a strategy; it’s the oxygen Roberson needs to stay authentic and protect the integrity of every note, lyric, and story he tells.

From writing for Jill Scott, Musiq Soulchild, and Vivian Green, to inviting fans into “The Process,” Eric makes music you live with, not just listen to. His 18th studio collection, accompanying book, and 2026 tour are all part of that conversation: honest, evolving, human, and unmistakably Erro.

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Eric Roberson

Parlé Mag: At this point in your career, what still surprises you about your own creative process — especially on a project called Beautifully All Over The Place?
Eric Roberson: If I’m surprised about anything, it’s that sounds and ideas keep showing up. I still feel passionate about every idea I’m fortunate enough to hear.

Parlé Mag: This LP feels less like confusion and more like emotional range. What made you embrace being “all over the place” instead of trying to make everything fit neatly?
Eric Roberson: Emotionally, I was all over the place. On good days, I went into the studio and poured my heart out. On tough days, and there were a lot of them, I did the same. Often, I just gave in to whatever art showed up — less thinking, more committing.

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Parlé Mag: You’ve always made music that feels honest without oversharing. How do you know when a song is vulnerable enough to heal people but still protected enough to keep something for yourself?
Eric Roberson: I’m glad it doesn’t come off as oversharing. The only time I worry is when a song is about someone else. I’ve had tough conversations about songs before. Songwriting is about revealing — I want people to hear themselves in my music while leaving space for them to fill in the blanks with their own story.

Parlé Mag: “Fight Thru It All” feels especially personal. Was that song written from a place of survival, surrender, clarity — or all three at once?

Eric Roberson: Yes. All three. Some days, I write a song just to get through that day. My dad was having a medical problem, and we weren’t getting the help we needed. I went into the studio and worked until I felt a little better. Honestly, I thought the song wasn’t worth sharing, but my team changed my perspective on it.

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Parlé Mag: “Where You Gonna Go” carries comfort, tension, soul, and prayer all in one. When building a song like that, are you thinking like a singer, songwriter, producer, or all of them at the same time?

Eric Roberson: That song is a ritual I’ve practiced for years. I ask myself that question every morning. To write it, I started as a writer — I wanted the message clear first. Then, as a producer, I worked to make it stick. My co-producer, Rodney Artez, helped connect gospel, soul, and hip-hop seamlessly. When BJ joined, I had to put on my singer’s hat because that brother came in singing!

Parlé Mag: You’ve always had a hip-hop spirit inside soul music. What does hip-hop still give your pen and perspective that traditional R&B alone never could?
Eric Roberson: Hip-hop has a rebellion I love. Artists are more willing to break the rules. I’ve learned a lot from Bill Withers, but also from Busta Rhymes. I’ve always thought of myself as a hip-hop kid who does soul music — and that unapologetically shows up in my music.

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Roberson EricParlé Mag: You’ve remained independent for over two decades without losing quality, identity, or consistency. What did staying independent protect in you that the industry might’ve tried to edit out?
Eric Roberson: Thank you. Honestly, I don’t know if I was ever a perfect fit for major labels. Independence allowed me to grow and adjust musically on my own terms. The majors are like an assembly line — once you do something, they want the next thing to sound exactly like it. Artists like Badu and D’Angelo evolved, but that’s rare. Staying independent protected the part of music I love that would have been at risk of being edited out.

Parlé Mag: Your audience has grown with you in real time — through love, heartbreak, healing, fatherhood, faith, and reflection. What do you think your listeners understand about you now that they couldn’t 15 years ago?
Eric Roberson: I’m thankful my fanbase has grown with me. They understand that wherever I am in life will show up in the music.

Parlé Mag: There’s a difference between making songs and building a body of work people live with. When sequencing an album like this, what tells you a record belongs emotionally — not just sonically?
Eric Roberson: I wrote nearly 100 songs over the last three years. Ten made it on this album, and the next one is already done. Usually, I tell a connected story sonically and lyrically. For this album, the songs supported the idea of being comfortable where God randomly places you. Each song, no matter the style, had to feel true.

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Parlé Mag: Between the album, the book, and the tour, this era feels like more than a release — it feels like a full conversation. What are you trying to leave people with beyond the music this time?
Eric Roberson: Beyond the music, I’m sharing the lessons I practice daily. Songwriting teaches real-life lessons. Staying tuned, connected, and aware — that’s what the album, book, and tour all speak to.

Parlé Mag: You’ve worked with legends, taught at Berklee, and built your own lane outside the machine. At this stage, what does legacy actually mean to you — catalog, impact, freedom, or something deeper?
Eric Roberson: Legacy takes care of itself. I focus on process over product. Legacy is more about product — my process builds it. I invest in the betterment of those around me and in music itself. If that’s not part of my legacy, I’m not doing enough.

Erro - Beautifully All Over The Place

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Parlé Mag: If Beautifully All Over The Place reflects where Eric Roberson is right now, what part of your story are people still only hearing in fragments?
Eric Roberson: That’s a good question. The next album, Beautifully All Over The Place Too, will fill in the missing pieces.

Stay Connected with Eric Roberson
Official website: ericrobersonmusic.com
Instagram: @erro44
Visit Eric Roberson’s Linktree for quick access to his music, social media, and latest releases.

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Todd Davis

Veteran music journalist and indie publicist Todd Davis, who hails from the San Francisco Bay Area, and has contributed to a variety of national, regional, online, weekly and daily media outlets; including The Source, XXL & Billboard, to name a few, is happy to report that he has recently joined the Parlé Magazine family. Looking forward to many great things to come...

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